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gwenswoons's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I struggled a bit with the back third — the pacing of it overall and the use of the second person made it slower for me, and somehow it felt more practical: it landed more like the way the book needed to wrap up structurally than what needed to take place by emotional necessity. Ultimately it didn’t hit as deeply and personally as I wished, though as I said it’s totally excellent; I longed for more catharsis, more emotional outpouring perhaps, but that is also not the affect of the book or of the storytellers inside it.
Definitely recommend — I am curious about Goodbye, Vitamin now, though it make take me a while to get to Khong’s backlist. I’ll for sure take note of her future novels, if not immediately dive into them.
Graphic: Animal cruelty, Animal death, Body horror, Body shaming, Bullying, Child abuse, Confinement, Death, Domestic abuse, Emotional abuse, Gore, Gun violence, Infertility, Infidelity, Mental illness, Miscarriage, Misogyny, Panic attacks/disorders, Pedophilia, Physical abuse, Racial slurs, Racism, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Slavery, Terminal illness, Torture, Toxic relationship, Violence, Xenophobia, Blood, Vomit, Police brutality, Medical content, Grief, Medical trauma, Stalking, Death of parent, Murder, Gaslighting, Abandonment, Alcohol, Sexual harassment, War, Injury/Injury detail, and Classism
tenderbench's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Moderate: Physical abuse, Suicide, Blood, Death of parent, and Alcohol
Minor: Racism, Rape, Medical content, and Pandemic/Epidemic
cindypepper's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
While the circumstances of Matthew and Lily meeting independently of their parents seemed farfetched, the book does a good job of depicting generational trauma and the ethics of science. It's grand in its ambition, but there were a couple dangling threads that felt unaddressed, like the opposite of Chekhov's gun. As much as I love magical realism, I found the use of stopping time to be so extraneous to the book. It didn't advance or add to the plot or character development in a way that I found to be critical; it could have not been a thing and the book would still maintain its sturdiness, imo! Same with the message that Ping gave to Lily to pass onto Mei/May. Or the entire relationship of Nick and Miranda.
To Rachel Khong's credit, the extraneous parts didn't feel extraneous as I was reading them; she's a very compelling and gripping writer, but it wasn't until I had finished the novel and was trying to piece together my thoughts that I realized that there was a lot in this book. Kind of like when you eat a really good meal and it's not until an hour later when you realize that you feel a little bloated.
The novel could have been tightened up and streamlined a little more without shedding its substance, but all in all, I found this an enjoyable read.
Moderate: Addiction, Physical abuse, Rape, and Sexual assault
Minor: Suicide